Trinere was influenced and inspired by legendary Donna Summer, Natalie Cole, and Phillis Hyman. Other favorites of Trinere’s were Madonna, and Janet Jackson. Trinere spent some time working in Buffalo, New York, with the legendary funk master Rick James and the Mary Jane Girls. Trinere met electro/freestyle producer Tony Butler in 1985, who was best known as an up-and-coming Electro producer in the Miami area, and Tony was making quite a name for himself.

With Trinere’s dynamic voice, striking beauty, and ability to captivate an audience with her energetic presence and dance moves on the stage, and Pretty Tony’s ingenious creativity, these two were truly the first to create the “true” Miami sound. This sound is known today as “Freestyle”.

Upon the release of her first single, “All Night,” a Freestyle classic was instantly born and Trinere became the reigning diva of the Miami Freestyle scene. With hits on the charts and selling millions of records around the world, Trinere began to tour extensively. Later that year, Trinere followed the success of her first single with “How Can We Be Wrong”, and “Can’t Get Enough.”  A remix for “All Night” was also released. In 1986, Music Specialists/Jam Packed Records released the self-titled album by Trinere. The album contained not only the 3 popular songs she had already released but also three other tracks which would become classic Freestyle anthems: “I Know You Love Me”, “They’re Playing Our Song”, and “I’ll Be All You Ever Need.” These hits have amazing lasting power, with all of them still receiving radio airplay today. This is why Trinere is still the reigning Diva of Freestyle music.

Trinere says that the time away from the music industry allowed her the time to strengthen and build her family life, and most of all, her relationship with the Lord Jesus Christ. Not only will her music make you “Rock to the Rhythm,” but now it will uplift your spirit and soul, and take “Freestyle Music” to a dimension it has yet to experience. God didn’t make her the Queen for anything.